Glass articles - Caithness Glass Co Ltd

Reflections 4 - 1988

Caithness Paperweights - Annual Review

©1988 Caithness Glass

EARTH FIRE WATER AIR from the 1989 ELEMENTS II set.

 


Annual Review

©1988 Caithness Glass
August from the
1990 Caithness Calendar.

Dear Collector... a message from Colin Terris
3

Favourites of ’88... The year’s best seller
4

Free Rein... Unbridled creations
5

Caithness Globetrotters... ‘Time-out’
8

Trophies and Awards... Extra special commissions
9

Elements II... A new interpretation
10

Opus ’88... The 1988 Caithness Collectors’ Paperweight
12

Double Overlay, Double Magnum... A testing piece
13

A Team Effort ... Joyce and William Manson
16

Glossary of Terms... Terminology Explained
17

Collectors Worldwide... Global News
18

Hot Glass

One-Off

©1988 Caithness Glass ©1988 Caithness Glass
©1988 Caithness Glass

‘Knockout!’

©1988 Caithness Glass

Excess glass or new design?

Director: Colin Terris U.K.
Club Secretary: Caroline Clark
Publication Coordinator: Mhairi Coull

Design, photography and production by Davis Design Studios, Glasgow.
Colour Separation by Studio North, Leeds.
Printed by Hawthomes Ltd.,


On the cover EARTH FIRE WATER AIR from the 1989 ELEMENTS II set.

REFLECTIONS is published annually by Caithness Collectors’ Club, Inveralmond, Perth, Scotland PH1 3TZ. ©1988 Caithness Collectors’ Club. All rights reserved.

Scotland’s Glass version 2008 with permission of Caithness Glass plc. By Frank Andrews and Wolf Seelentag.


Reflections 4 - 1988 - Page 3

Dear Collector...

©1988 Caithness Glass

 




Next year is the 20th Anniversary of the creation of Caithness modern paperweights. Looking back on those early days, I don't think any of us who were involved then ever thought that what began as interesting experiments would ever evolve into paperweight studios which would employ 45 people. We can't let such an occasion pass without doing something really special, therefore, 1989 will see the largest introduction of new weights ever. We'll also have a series of special paperweights directly evolving from those early days. The first special set is illustrated on the front cover and is a new interpretation of the four Elements issued in 1973. Another preview appears on the back cover. The other surprises - and there will be quite a few - will be revealed in January 1989.

Yours Sincerely, Colin Terris

 

©1988 Caithness Glass
©1988 Caithness Glass
©1988 Caithness Glass
©1988 Caithness Glass

Reflections 4 - 1988 - Page 4

Favourites of '88

Whether you buy one paperweight a year or 50 your choice influences the popularity ranking of the annual collections. These are the nine best sellers of 1988.

©1988 Caithness Glass
Fiesta Aqua U/L
Had retailers dancing in the aisles!
©1988 Caithness Glass
Blithe Spirit Ed. 150
Unreal sales!
©1988 Caithness Glass
Pinnacle Ed. 150
Top of the form!
©1988 Caithness Glass
Magic Lantern Ed. 750
Lit up your eyes!
©1988 Caithness Glass
Firecracker Ed. 750
Took off like a rocket!
©1988 Caithness Glass
Still Life Ed. 100
A genuine masterpiece

©1988 Caithness Glass
Snowflame
Ed. 750
The edition has melted away!

©1988 Caithness Glass
Flight of Fancy Ed. 650
Up up and away!
©1988 Caithness Glass
Swan Lake Ed. 250
Full 'points' for interpretation.

Reflections 4 - 1988 - Page 5

Free Rein

Last year we invited all the glass-makers to create their interpretation of 'New Horizons'. This year they have been given 'free rein' on a subject matter.

Perth Paperweight Studio Team
©1988 Caithness Glass

Facetters and Lampworkers at Perth
©1988 Caithness Glass

Oban Paperweight Studio Team
©1988 Caithness Glass

This year we shall show you the results from Perth. Next year, we shall feature ideas from Oban.


Reflections 4 - 1988 - Page 6 & 7

Free Rein

 

Graham MacKenzie - Blue Reef
©1988 Caithness Glass

Shona Nicolson - Reflections
©1988 Caithness Glass


Brian Lawson - Scarlet Pimpernel
©1988 Caithness Glass


Helen Archer - Mystery Planet
©1988 Caithness Glass


Calum Anton - Maypole
©1988 Caithness Glass


Iain Beedie - Sentimental Journey
©1988 Caithness Glass


Davie Nicoll - Spring Fountain
©1988 Caithness Glass


Stuart Cumming - Knickerbocker Glory
©1988 Caithness Glass


Jeneo Lewis - Checks and Flower
©1988 Caithness Glass


Rosette Fleming - Emerald Butterfly
©1988 Caithness Glass


Jim Duncan - Butterfly and Flower
©1988 Caithness Glass


Fiona Steel - Coral Swirl
©1988 Caithness Glass


Allan Scott - Nocturnal Traveller
©1988 Caithness Glass


Harry McKay - Lapwing
©1988 Caithness Glass


Archie Anderson - Deep Space
©1988 Caithness Glass


Scott Miller - White Lightning
©1988 Caithness Glass


Dave Ramsay - Spring Blossom
©1988 Caithness Glass


John Spittal - Odd Man Out
©1988 Caithness Glass


Alan Scrimgeour - Quartet
©1988 Caithness Glass


Reflections 4 - 1988 - Page 8

Caithness Globetrotters

Business trips abroad are always looked upon as being a ‘holiday’ by those left behind. We hope that these snapshots will destroy that myth once and for all!
©1988 Caithness Glass

©1988 Caithness Glass

Eat your heart out Gene Kelly! (CT and Peter Ford celebrate an Australian paperweight order at Darling Harbour, Sydney.)

©1988 Caithness Glass

How to stop the traffic on Madison Avenue! (CT and Caithness Managing Director, Alistair Mair in New York)

©1988 Caithness Glass

Caithness Glass Inc., Vice President, Don Parker, gives a briefing on the Double Magnum making technique to staff in Shreves Jewellers in San Francisco.

©1988 Caithness Glass

Foreseeing future sales successes in Japan! (CT with the President of The Japanese Trading Organisation and a British Embassy Official)

©1988 Caithness Glass

Sales and Marketing meeting, Mount Fuji! (CT and Sales Director, Peter Ford in Japan)

 

©1988 Caithness Glass

Colin Terris discussing the Double Overlay technique with a Singapore Collector!

©1988 Caithness Glass

Made it at last! (Outside Raffles, Singapore)


Reflections 4 - 1988 - Page 9

©1988 Caithness Glass

Trophies & Awards

Hardly a week goes past when we are not actively engaged in creating a special trophy for a special occasion. Usually the time scale we are given makes it impossible even to have time to photograph the piece before the delivery date is upon us. This year, however, we have made a big effort to keep some form of photographic record with Reflections IV in mind.
©1988 Caithness Glass
Design - Margot Thomson
©1988 Caithness Glass

Reflections 4 - 1988 - Page 10 & 11

Elements II

The bank of innovative paperweight techniques we have amassed since the first set of The Elements was made in 1973 has enabled us to create this new interpretation of this intriguing subject.

©1988 Caithness Glass

The making of The Elements II set involves a fascinating and complex series of techniques. We have chosen to illustrate the stages required to produce 'Air'.

1. A small gather of clear glass is pressed into a sculpted carbon mould.
©1988 Caithness Glass
2. A light sprinkling of charcoal powder is applied.
©1988 Caithness Glass
3. After taking another small gather of clear glass, which turns the charcoal powder into a myriad of small bubbles, a hole is pierced in the centre of the glass.
©1988 Caithness Glass
4. This hole is formed into a bubble using a jet of compressed air.
©1988 Caithness Glass
5. The glass is then re-heated in the glory hole and
©1988 Caithness Glass
6. the pierced hole is sealed with tweezers.
©1988 Caithness Glass
7. The glass is then blocked perfectly round.
©1988 Caithness Glass
8. After another re-heat in the glory hole the complete glass area is pressed into a bubble mould which gives a geometric pattern of depressions, each of which will trap air when the next gather of glass is taken.
©1988 Caithness Glass
9. Once again the glass is blocked round and smooth.
©1988 Caithness Glass
10. A semi-overlay of cobalt blue is gathered on to the back of the piece and the excess snipped off.
©1988 Caithness Glass
11. After a series of blockings and re-heats the paperweight is 'cut-in' at the back to enable it to be separated from the blowing iron.
©1988 Caithness Glass
12. The final inspection.
©1988 Caithness Glass

WATER Underwater Wonderland
©1988 Caithness Glass

AIR Bubbles, bubbles everywhere
©1988 Caithness Glass

EARTH Basic Enigma
©1988 Caithness Glass

FIRE Shades of the Olympics
©1988 Caithness Glass

Reflections 4 - 1988 - Page 12

Opus ’88

The 1988 Collectors Weight

Such was the interest created by Magnum that we decided to miniaturise it to the standard paperweight size and offer it exclusively to Club members.

Set upon a vibrant cobalt blue base, a delicate rose form rests within a supportive flourish of delicate greenery. Opus ’88 has been issued in a limited edition of 1000 worldwide.

©1988 Caithness Glass

SOLD OUT

For details of how to become a Caithness Collectors’ Club member in the UK please write to:- Caroline Clark, Caithness Collectors’ Club. See pages 18/19 for details of Caithness Collectors’ Clubs worldwide.


Reflections 4 - 1988 - Paged 13, 14 & 15

Double Overlay - Double Magnum

We racked our brains for yet another outstanding task for Franco Toffolo and Stuart Cumming to take on this year. We finally decided to tackle a Double Magnum sized paperweight and to encase it in a double overlay using traditional techniques.

Stuart made the internal design for the Double Magnum whilst, at the same time, Franco blew the double overlay casing. Our photographer, Ernie Davis, had to run between the two to capture each process simultaneously. Things were happening so fast that I was occupied full-time keeping Ernie supplied with film!

When the weight had cooled down - some 26 hours later - we gave it to Alastair (Hercules!) Macintosh to cut and facet. Due to the weight of the piece - some 5kgs - it took Alastair 30 hours, over a five day period, to cut, rough grind, smooth grind, polish and finally rouge each of the 49 facets.

This is one weight that will definitely remain as a ‘one-off’ much to the relief of our colleagues in the production department!

©1988 Caithness Glass
Stuart has taken three gathers of clear glass before rolling it in a tray containing crushed ruby glass.
©1988 Caithness Glass
He then re-heats the glass and picks up, on the front of the piece only, a thin layer of powdered white glass.
©1988 Caithness Glass
Using pincers he pulls out four legs from the body of the piece.
©1988 Caithness Glass
He then takes a further gather of clear glass and blocks it into shape.
©1988 Caithness Glass
5. At this stage it is still possible to remove any impurities in the glass but a close inspection determines that it is fault free.
©1988 Caithness Glass



6. Stuart now keeps the piece warm while Franco prepares the double overlay cup.
©1988 Caithness Glass
©1988 Caithness Glass
As the double magnum is so large it retains its heat much longer than the normal sized paperweights. We have found the most accurate way of determining the correct temperature before placing the weight in the annealing kiln is to use the ‘hand test’!

Double Overlay, Double Magnum

Franco has taken a medium sized gather of clear glass and has blown it hollow.
©1988 Caithness Glass
He then takes a gather of molten white glass from a small furnace...
©1988 Caithness Glass
...and shears off the excess. After letting this cool for a short while
©1988 Caithness Glass
he takes a gather of molten green glass from another pot in the same small furnace.
©1988 Caithness Glass
He then blocks it and begins to blow a larger bubble.
©1988 Caithness Glass
After shaping and preparing the piece,
©1988 Caithness Glass
it is then ‘puntied’.
©1988 Caithness Glass
The neck of what is virtually a green over white bubble is very small.
©1988 Caithness Glass
He re-heats this and opens out the neck to a size large enough to envelope, or ‘case’, the paperweight.
©1988 Caithness Glass
The cup is then cracked off and placed upright in a holder...
©1988 Caithness Glass
...and the Double Magnum inserted.
©1988 Caithness Glass
This entire piece is then re-heated to as high a temperature as possible in the glory hole.
©1988 Caithness Glass
Using his carbon palette Franco shapes the cup over the paperweight, then
©1988 Caithness Glass
re-heats and 'marvers' to ensure no air is trapped between the cup and weight.
©1988 Caithness Glass
After 'cutting-in' and
©1988 Caithness Glass
snipping-off excess glass Franco blocks to the traditional paperweight shape.
©1988 Caithness Glass
Using a pad of damp newspaper the weight is given its final spherical shape,
©1988 Caithness Glass
then a final 'cut-in' at the back.
©1988 Caithness Glass
It is knocked off the iron and carefully placed on the marver to cool.
©1988 Caithness Glass
The annealing time is discussed and the cooling period of 26 hours is agreed upon.
©1988 Caithness Glass

Reflections 4 - 1988 - Page 16

A Team Effort

Joyce and William Manson are a husband and wife team who specialise in traditional style paperweights. Willie does his own lampwork and Joyce assists him during the paperweight making process.

 

 

The finished piece ‘Dragonfly’ - a multi-facetted three level traditional paperweight with a delicate moss green semi-overlay.

©1988 Caithness Glass
Willie with a selection of coloured glass rods used in the creation of ‘Dragonfly’!
©1988 Caithness Glass
Using a pure propane burner, to have the finest flame possible, the flower head is created petal by petal.
©1988 Caithness Glass
Likewise, the Dragonfly is created piece by piece and then fused together with great care.
©1988 Caithness Glass
Next the reeds and foxgloves are created.
©1988 Caithness Glass
All the different elements needed to complete the Dragonfly paperweight.
©1988 Caithness Glass
Joyce gives Willie a very small ‘drop-on’ of clear glass which is used to separate each level of lampwork.
©1988 Caithness Glass

Reflections 4 - 1988 - Page 17

Glossary of Terms

Priscillas - Used mainly to ‘cut-in’ and narrow the back of a paperweight to enable us to separate it from the blowing iron.
©1988 Caithness Glass
Hot-Finish - An alternative method to the more usual grinding and polishing technique. A super hot flame using oxygen and propane melts in the punty mark left when the paperweight is knocked off the iron.
©1988 Caithness Glass
Shears - Available in a variety of patterns to cut and snip the glass in individual ways. Illustrated are normal and diamond shears.
©1988 Caithness Glass
Latticino & Filligree - Opaque white spiral threads of glass within a clear glass rod are the hallmarks of latticino - literally meaning ‘soft milk’ in Italian.
Filligree, on the other hand, is the same technique but using coloured threads of twisted glass.
©1988 Caithness Glass
Paper Pad - Numerous sheets of newspaper soaked in water, which are hand held to shape and form hot glass (see Double Overlay Double Magnum pages 13, 14, 15).
©1988 Caithness Glass
‘Ferrules’ - Steel base plates into which specific patterns have been carved to retain fine millefiori rods. This gives an accurate pick-up for patterned Millefiori paperweights.
©1988 Caithness Glass
Pincers - As the name implies, used to pull-out small areas
or selected sections of molten glass.
©1988 Caithness Glass

Reflections 4 - 1988 - Page 18 &19

Collectors Worldwide

International reports from Caithness Collectors Club secretaries around the globe.

{2008 - Addresses are no longer valid}

U.S.A.
©1988 Caithness Glass

The Secretary, Caithness Collectors’ Club, Caithness Glass Inc., Building 12, 141 Lanza Avenue, GARFIELD, NJ. 07026, U.S.A.

©1988 Caithness Glass

The U.S. Collectors’ Club continues to grow in size. It is nice to be adding new members: however, it is equally as gratifying to have so many membership renewals. Everyone is always anxious to have Colin visit their part of the country for in-store appearances during one of his rare trips to the U.S. since our members thoroughly enjoy meeting him at these events. He could spend much more time here and still not get to all the places where people would like to have him visit.

We have recently changed the format of our newsletter to more closely parallel the format used by the U.K.Club and we hope our members will be pleased with the results. At the present time we are working on an updated dealer listing so it will be easier for Collectors to know the location of the nearest Caithness gallery where they can see a large selection of paperweights on display. There has been great enthusiasm over “Chorale” throughout the year and based on the fantastic reception to the treble magnum, “Magnum Opus,” by our dealers, we expect “Opus ’88” to sell out quickly.

There are many aspects and diversified responsibilities in a small company that make each of our positions interesting, challenging and ever changing. The most rewarding, though, is our contact with both our dealers and Collectors... and talking and writing to those people who value each Caithness paperweight as a treasured possession.

Charlotte Judd

UNITED KINGDOM
1988 Caithness Glass

The Secretary, Caithness Collectors’ Club, Caithness Glass Plc, Inveralmond, PERTH PH1 3TZ. Scotland.

©1988 Caithness Glass

It is most encouraging to be able to welcome another three branches of the Caithness Collectors’ Club into our worldwide family, which means we are now truly international. As the UK branch of the Caithness Collectors’ Club continues to grow, we here at Perth have been working hard to try to improve all aspects of the Collectors’ Club in order to provide an even better service to all Club members.

Being based here at the Perth Paperweight Studios means that I have the pleasure of meeting probably more Collectors than would the other Club Secretaries, as Collectors visit from all over the world. To see the delight on their faces as they tour the paperweight making studios and watch the craftsmen at work, is an added bonus. A visit to Perth is worth while for Collectors as they have the opportunity to see the complete glass making process, from the raw materials to the finished product, and to visit the paperweight museum where over 600 Caithness paperweights are on display.

This year’s Collectors’ Weight, “Opus ’88”, which is available to all branches or the Collectors’ Club, is already proving to be one of the fastest selling paperweights ever. Already hundreds of orders have been received here at Perth and, as the other Club Secretaries start to place their orders, I’m sure the edition of 1,000 will sell out very quickly.

The launch of our first Caithness Calendar has been a major success which, I’m sure, is due to the stunning shots of our favourite Caithness Paperweights, shown in a way which has never been seen before. Judging by the sales of the Calendars, Collectors worldwide, must agree. We are all looking forward to next year’s Collection which is going to be an extra special one as we celebrate 20 years of Caithness paperweights in 1989.

Caroline Clark

CANADA
1988 Caithness Glass

The Secretary, Caithness Collectors’ Society, Frederick Dickson & Company, 28 Carnforth Road, TORONTO, Ontario, M4A 2K7, Canada.

©1988 Caithness Glass

START PRESS! Let’s get the production line rolling! We launched our club at the beginning of June 1988 with an introductory letter sent out to all registered addresses in our country. As we are approaching the end of the year. I am proud to say that to date we have over 200 members and we are still growing. Thanks to the help from fellow Caithness Secretaries, our launch has been a success.

When I was first appointed to be the Caithness Secretary, my first reaction was one of apprehension, but I was very proud to be given this honor. It is just like learning how to skate again. When you are inexperienced or not fully knowledgeable about a product you are dealing with, your ability to teach and sell to others is weakened. However, as time has passed, I have learned a great deal about paperweights and my appreciation for them has greatly increased.

I am really looking forward to the growth of our Collectors Club.Right now it is only a part time job, but as time goes on, it will definitely become a full time effort. Our first newsletter is scheduled to be released in October. This will be a very exciting project, which will give me the opportunity to share all my interesting knowledge with our Collectors. We will be using our new computer laser scanner to assist in production.

Many compliments to all of the Caithness crew for their extraordinary work. I am looking forward to the remainder of 1988 and to the new year, as are all of our Collectors.

Jack Zeronian

THE NETHERLANDS (HOLLAND)
1988 Caithness Glass

The Secretary, Caithness Collectors’ Club, De Vingerhoed, Bos & Vaartlaan 34, 1181 AB AMSTELVEEN, Holland.

©1988 Caithness Glass

Let me introduce myself! My name is Mylène de Wever and I joined Bos & Vaart Collectables in June 1988. As you can see, I was thrown into the deep end straight away as I was appointed Secretary of the new Dutch Paperweight Club.

We mailed approximately 80 addresses accumulated by Perth over the past years and can boast an astonishing response of about 60%!! This is a tremendous score if you realize that a direct mailing normally scores only a mere 5 -10%! We are of the opinion that this can only be the result of the quality of the Caithness products, the enthusiasm of our members for this highly collectable item and to a small degree, our own approach.

Now, near the end of 1988, the Caithness Collectors Club Nederland (as it’s official name is) has 80 members and the number is growing rapidly. Not bad for a very small country - to reach this figure in less than 6 months!

In September we had our Autumn Fair at the Royal Dutch Trade Show in Utrecht, which is comparable with the Frankfurter Messe and the Birmingham Spring Fair. During this Fair Bos & Vaart Collectables introduced the newest Caithness Paperweights as well as the Caithness Contemporary Crystal Collection. We are proud to be able to tell you that Caithness was elected as one of the few innovative products at this Fair.

I am looking forward to the new Collection which will undoubtedly again be excellent and bear thrilling names. I must admit that I’ve been captured by the spell and can’t wait to add some of the new designs to my own fast growing collection. For the first time this year we will be offering the exclusive Club paperweight to our Collectors.

Mylène de Wever

SWITZERLAND
1988 Caithness Glass

The Secretary, Caithness Collectors’ Club, Kappelacker, CH-8581 ZIHLSCHLACHT, Switzerland.

©1988 Caithness Glass

My steadily growing “family” of Caithness Club members has kept me on my toes with a constant stream of enquiries and exchange of views.

In July I decided to make my home “open house” for all Club members, with an exhibition of the complete 1988 range and my own collection from past years, which created considerable interest.

One of our members had decided, absolutely, that she wanted a Jupiter 1987, and appealed to me to help her find one. By chance, I had planned three days later to attend an exhibition of glass in Schaffhausen, and whilst looking at a showcase of various exhibits was astonished to see a Jupiter nestling at the back! Our member, who was due to go in to hospital shortly afterwards, was overjoyed, and I would like to imagine that Jupiter, sitting on her bedside table, played some part in her speedy recovery.

On another occasion, we had an engineer from the Swiss telephone company checking our installation. Upstairs, where he was working, I had about fifteen paperweights on top of a chest. Intrigued, he asked me about them, and I explained what they were and how they were made (the literal translation of the German word for a paperweight “Briefbeschwerer” is “letterweight”). He was greatly impressed and told me that he would start a collection, but then his face fell: “But I never write letters”, he said sadly, “I always use the telephone, so I would have no use for them!”

Now I look forward to see the response from our members to the beautiful new calendar and the Collectors’ paperweight and to a busy end to the year.

Ursula Schefer

 

AUSTRALIA
1988 Caithness Glass

The Secretary, Caithness Collectors’ Club, Cambur Industries PTY Ltd., 538 Mountain Highway, Bayswater, MELBOURNE 3153, Australia.

©1988 Caithness Glass

1989 will see the birth of the Collectors’ Club in Australia, although we have many Collectors already registered with the club in Scotland.

During 1988 we were fortunate to be visited by Colin Terris and Peter Ford, who created the “spark” required in establishing the Collectors’ Club.

The next few months will see us programming our computer for customer mailings and registrations.

Once established I look forward to receiving all registrations, particularly as I am curious as to which paperweights people select.

It would be interesting to note if one area of our large country chooses a colour different to another, eg: Queensland, which is one of our warmer states, as against Victoria, a cooler state?

Although a novice with Caithness Paperweights, I have readily accepted their beauty and the glassmakers ability to produce these pieces of art. I look forward to seeing the new range from Caithness.

Janice Jeffs

GERMANY / AUSTRIA
1988 Caithness Glass 1988 Caithness Glass

The Secretary, Caithness Paperweight Sammlerclub, Präsent Sterling, Langäcker 18, D8918 DIESSEN 3, W. Germany.

©1988 Caithness Glass

The optimistic trends noted in the previous “Reflections” for 1987 continue to be realised. The number of registered Collectors has significantly increased as, indeed, have the variety and imagination in the range of paperweights being produced over the year.

I should like to use this opportunity to thank all our listed Collectors Club members for their continued interest, and I would welcome a step-up in direct contacts and comments to us with regard to their personal response to the new designs being introduced into the collection. Out of the current 1987/1988 range of paperweights the most popular ones in Germany and Austria have been the following:

Limited Editions: Space Frontier, Crusader, Listener.
Unlimited Editions: All Black & White designs, such as Acrobat Jet, Cauldron Sable, Moonflower Black & White, Tango Sable, Snow Trail Clear.

Many new retail shops now stock Caithness Paperweights, and Collectors should be able to find good selections within their own areas. For further information on retail outlets they should contact us direct.

Heide Moore


Reflections 4 - 1988 - Page 20

Annual Review

Back cover

1988 Caithness Glass

MOONFLOWER CELEBRATION
To celebrate 20 years of Caithness paperweights we have created a special
limited edition of our first unlimited design, Moonflower. (Edition 500)

Caithness Glass PLC, Inveralmond, Perth PH1 3TZ, Scotland.
Tel: 0738 37373. Telex: 76663. Fax: 0738 22494.